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More than this, the writers cover so much ground topically, thematically and formally, that Cutting the Tightrope feels like ...
Lucio Castro’s romantic and beguiling second feature concerns the cosmic connection between a pregnant voice-over artist and ...
And this year's award for ‘Show Title Which Does Precisely What It Says On The Tin’ goes to... David Elms.
Kim Blythe feels like a cowboy: not a maverick who rides horses, but one of those guys who says he’ll pave your driveway but ...
Covered in a surprisingly viscous orange goop, Garland submerges us into the slimy world of erotic desire. This is ...
Alex Stringer proves that not all Happy Hours must end in disaster with this genuine, vulnerable, and very funny debut hour.
The comic sits at a spinning wheel, creating fibres of jokes out of a mythical material and turning them into full spools of ...
In new show All In, Dan Tiernan provides an hour of unrelenting laughter, and the promise of a astonishing career in comedy ...
A theatrical tribute to the late Argentinian trans activist based on her autobiography, Cecilia Gentili's Red Ink is a loud ...
The Russian political activists and musicians return to Edinburgh with a powerful, genre-crossing expression of rage, fear, ...
The audience files in to Degenerate to find a woman lying on the floor, bound hand and feet, duct tape covering her mouth. It ...
Hornedo has a gentle Stateside delivery and harks back to his times at college and in Washington DC. His extended riffs take ...